Favorited ex.fm Songs

Wednesday, October 3, 2012

Artist Spotlight: Luke Redfield

I've touted the virtues of Daytrotter plenty of times before, but I don't see any reason to stop when it's the gift that just keeps giving. For those unfamiliar, Daytrotter is a website that brings bands into their studios and records really nice sounding 3-5 song sessions with them. The artists span plenty of genres (seriously... check out this long list). Some sessions are new versions of old songs, some include cover songs, and some are unreleased songs by the artist. Some of the artists are pretty well known (like Mumford & Sons, Bon Iver, The Lumineers, and Trampled By Turtles) and some of the artists are less well known. The only real constant is that the music keeps coming, and you're sure to find something you like. For me, one of my favorite artists I've discovered by this means is Luke Redfield, courtesy of his Daytrotter session, which may just be my favorite Daytrotter session all year.

You can get a free 14 day membership to Daytrotter by visiting the site. This allows you to stream the 100's (1000's?) of sessions that they have archived and the new ones arriving every day. If you want to download them, you'll have to sign up for a membership, which I consider a steal for only $2 a month. In the hopes of encouraging others to check out the site, I'll give away one free year long membership to a reader of this post. Just send me an e-mail (nothemoonaintromantic@gmail.com) that includes your name and email address by 10pm central tonight (Wednesday 10/3), and I'll randomly pick one person to receive the free membership.


Onto Luke Redfield now. I don't listen to every Daytrotter session because there are so many, but for some reason I decided to check out Luke Redfield's. About 30 seconds into the first track, I knew I had made a good decision, and by the time the opening track had ended, I was a fan. That first track, "Toledo Ore," is a currently unreleased track that opens with guitar before the line "Landlocked today, dreaming of the sea, dreaming of the day you first came to me" brings the vocals into the mix. A little over a minute later, a harmonica makes it's first appearance in the song. From that point, the vocals, guitar, and harmonica deftly transition back and forth. Each element takes turns stealing the listener's attention away, only to have it taken back a few moments later. The song ends with a line just as great as the one it opened with, "It's hard to pretend that the world's gonna end when you're waiting for the world to begin." The second track, "Rebel Dreams" is another really strong track. It's a bit slower with a kind of wandering guitar sound out of which singular notes poke through here and there above the rest. The song recounts various events followed by the line "it don't compare to where I'm going." You can start to see that lyrics aren't just an afterthought for Redfield. They are well-crafted to reward close listening. In this song he sings "I've heard King's speeches, I heard Lennon's songs" before a couple lines later following that thought up with "Free at last, imagine that! It don't compare to where I'm going." Those types of references and tie backs are present in many of his songs. The rest of the session is similarly good, but what it really did was make me hungry for more of his music.

After the Daytrotter session, I began to explore his other albums and read a bit about him. His most recent album, Tusen Takk (Norwegian for 1,000 thank yous), was released back in March of this year. The harmonica is absent from this release, but the songs remain strong. Luke Redfield has traveled and lived all over (this interview has some good stuff about living in Alaska for a spell). Tusen Takk was recorded in 6 different states. Despite that, the album is remarkably cohesive, but it's not surprising that location is a strong theme across this album. In the song "Catacombs" he sings "Everywhere I go I call my home." That sentiment is felt across this record. Despite being recorded in many different states, and likely written across many as well, the one constant is that it always feels like home. Some artists have a knack for writing songs that just feel comfortable, calming, and familiar. Obviously this will be true of different artists for different people. For me, M. Ward is the king of writing songs that just make me feel at home within them no matter where I am. Luke Redfield manages to take songs about locations all over the world, as well as people past and present, and make them feel so natural and familiar.

The opening track to the record, "Don't Care," is almost like Redfield's PG version of William Elliott Whitmore's "Mutiny." Both tracks are nothing like the albums that follow them and feature defiant vocals over angry sounding percussion. The thick aura of defiance is felt in the title and in repeated lines like "I don't care what you do, I'm gonna sing my song." This is matched by the hard percussive beat and a cacophony of sounds that crescendo and fade towards the end. Following this is "Gilgamesh", one of my favorite tracks from the album. The song has a sense of urgency as if you're being driven forward the whole time. The lyrics repeatedly create fanciful scenarios beginning with an "if" and ending with some sort of description like "If I were a book, I'd contain 10 words: It is only life and life is for the birds". My favorite line showcases his sense of humor by saying "If I were a synth-pop, I'd be all the rage" highlighted by an auto-tune type effect on the vocals that you won't find elsewhere in his songs. Listen to it below:



Another album highlight is the track "Cowboy Song," which is the only track also on his Daytrotter session. The song seems to defy you to try to listen without tapping your foot along with it. I always love hearing artists pay tribute to artists they love, so lines like "And I will sing you cowboy songs like Ramblin' Jack and Townes Van Zandt" hook me. Here's a live performance:



I highly recommend heading to the Bandcamp link below and checking out the whole album for yourself (as well as his older stuff). Songs like "I Want Only" and "My Sweet Lass" are a bit reminiscent of Joshua Radin. Another of my favorites "Walk In Love" reminds me a bit of Ben Lee. There's a lot to like on Tusen Takk and on the Daytrotter session. Through a couple emails, Luke Redfield informed me that he's heading back into studio soon to record a new album (likely out in 2013) that will be more similar to the Daytrotter session (including harmonica on a few tracks and a bit more stripped-down and raw sound) than Tusen Takk. However the album turns out, as a newly converted fan, I'm looking forward to it.

If you're in the Midwest, he is currently touring through Nebraska, Colorado, and Minnesota. I haven't been able to see him live, but I recommend checking him out if he's in your neck of the woods. The full dates are on the tour poster below, which is a still from a recent music video shoot that should be out sometime this winter.


Interested in checking out Luke Redfield?

Artist website
Facebook
Twitter
Bandcamp - stream / purchase albums here
On Tour (contains a few more dates than the poster)



Wednesday, September 19, 2012

The Blow - True Affection

Unfortunately, so far this semester I've been too busy to do much posting. I may have to start doing some shorter ones so that the blog doesn't sit completely idle. This is the first of those, which hopefully gets me back on track.

On my ride home from campus today, I was listening to an old mix CD that a friend made me and this song came on. I know nothing about the artist, but it is really just a darn good song. Hopefully you agree.



I love hearing what music other people enjoy (especially when it leads to me remembering gems like this song). It might be a bit of a nostalgia for a day when music was more social and you had to hear new artists from friends, but if anyone ever wants to swap mixes, I've always got a standing offer to do just that. Let me know.

Monday, September 10, 2012

Remembering Otis Redding

I tend to usually focus on newer music on this blog, but lately I haven't been able to find time for even that. However, Sunday would have been Otis Redding's 71st birthday if he hadn't been taken from the world at the far too young age of 26. I couldn't pass up the opportunity to share his music again because I think everybody could use a little more Otis Redding in their lives. I've only posted about Otis Redding once before, but in that post I included Mr. Pitiful, which may be my favorite song of his if I were pressed to choose one. Below are two more good candidates (and there's the obvious (Sittin' On) The Dock Of The Bay), but really he had so many amazing songs. I'd love to hear anyone else's personal favorite down in the comments.

Here is a live version of "I've Been Loving You Too Long" performed at the Monterey Pop Festival in 1967. The love and joy that fills his music is undeniable in this performance. In the 26 years he was alive, he put a lot of that love and joy out into the world for people to listen to to this day.



And here is "I've Got Dreams To Remember."



And with that I should head to bed, but I'm guessing my tomorrow will be filled with lots of Otis Redding in my ears. Enjoy!

Thursday, August 23, 2012

New Artist: Hayden Calnin

Due to things like life and school getting in the way, I haven't been able to post in a while. Fortunately, what I have been able to do is listen to lots of music. One of the highlights of that music listening has been the discovery of an Australian artist named Hayden Calnin.

Hayden Calnin released his debut EP, City, on July 20th. I stumbled upon it a couple weeks ago after reading a review on Listen Before You Buy. After hearing the EP, I immediately purchased it and I've been listening to it over and over and over again since then. The first comparison that his music draws to mind is Bon Iver (especially more recent Bon Iver). And really if you enjoy Bon Iver, you can probably quit reading this and just go listen to his music now because I think you'll love it. The comparison is due to the atmospheric nature of their music as well as the haunting falsetto that both can employ on top of that soundscape. However, Hayden Calnin is far from just a Bon Iver clone, and his music is outstanding on its own merits. Unlike Bon Iver, Calnin actually stays in the lower vocal registers for large portions of songs. He also doesn't have a rather large touring band like Justin Vernon does. His songs feature a lot of looping of vocals and instruments that can help build up the sound over the course of a song.

The EP clocks in at under 20 minutes, and unfortunately for those of us in the United States it's all we are going to hear for now. He is currently only touring around Australia, so we'll have to make due with the EP until new material is released. I've already listened to the whole EP about 15 times since I got it. I shudder to think how high that number will be by the time we're graced with new music, but I just... can't... stop... listening...

Below is the video for "For My Help," the first track on the album:



And if you want to check out more, here is the whole EP to stream:



And while we're on the topic of people fans of Bon Iver should enjoy, I recommend checking out James Vincent McMorrow. If you missed it, I wrote about him just over a year ago.


Interested in checking out Hayden Calnin?

Artist Website
Facebook
Twitter
Soundcloud
Album on Amazon ($4.45)